SXSWEdu Reflections Part II

Creating Session Boards EdCampATX

Photo by Stephanie Cerda 

Check out Part I of SXSWEdu Reflections here

The A in STEAM

I started out volunteering at the EdCampATX session. In other words, since I wasn’t presenting this year I needed to feel valued and productive, so I asked Stephanie and Adam if I could be of service. They directed me towards the session boards. Yess!!!

There is a sort of odd intellectual stimulation that comes from creating the EdCamp session boards. I love the craft of making connections from the seemingly disparate ideas on little stickies and coming up with titles that encompass the ideas with as much authenticity as possible. I get great pleasure from deciphering handwriting and acronyms I don’t know. I love trying to find a home for every single sticky in hopes that every idea can be discussed, valued, and heard. Adding to my delight, Moss Pike, jumped in on the fun as we sorted, rearranged, debated, and ultimately settled upon the sessions that would make up the next couple hours of discussion.

One of the categories which Adam Holman aptly named, The A in STEAM, brought together creative minds interested in everything from creativity in the classroom, to teaching educators the art of improv. This was one of my favorite conversations of the conference, not only because it resulted in some impromptu collaborative sketchnoting, but also because by the end of the conference some of these folks had become legitimate friends and thought partners (more on that later).

A in STEAM Discussion at EdCampATX session

Photo by Stephanie Cerda

I am also glad I shared about how sketchnoting was impacting my thinking which opened up some discussion about why and how it could have a place in the classroom. Then Chris Davis asked if he could interview me and share my sketchnote book right there at our EdCamp session table as the second session began. With no question prep? My lizard brain wanted to say no, but I am glad I didn’t. He made my stream of consciousness comments and messy sketchnotes into a beautiful little glimpse of the conversation that happened that day around the table.

EdTechWomen Networking Mixer

EdTechWomen SXSWEdu Mixer

Still working on the whole needing to feel valued and productive, I sped-walked over to the Capital Factory to help the EdTechWomen folks (Sehreen & Margaret) with set up and check in for the 100 women (and one brave man) who would descend upon the Capital Factory kitchen for a facilitated networking experience.

It was here, amongst this group of incredible women doing all sorts of extraordinary things, that I had conflicting emotions again. On the one hand it was hard to discuss the messy parts of my startup journey and not feel some sense of loss and failure around the experience. On the other hand, the very lessons I learned (and continue to learn) from that journey were valuable in several conversations with women who were where I was last year, in the middle of making decisions that could chart the course of their entrepreneurial journey.

I reflected back on my decision to listen and learn and added a verb–to share. I chose to share the behind the scenes experiences when I thought it my be helpful for others. I chose to say hey why don’t we all stop pretending like we have it all together and share the mess, so others might not have to go through that same thing. Let’s share the mess, so our successes don’t seem unattainable. Let’s share the mess, so we don’t have to clean it up and put ourselves back together alone.

I said some sort of rant like this at the event, women’s heads nodded in response–either from agreement or group think.

Visual Literacy Bootcamp

Visual Literacy Bootcamp SXSWEdu 

I have a confession on this one. I am a Brad Ovenell-Carter fan girl. I follow Brad on Twitter, Instagram, Paper-Mix, and simply can’t get enough of his ideas, sketchnotes, and the work he does with students. My digital sketchnotes have been greatly influenced by his style and Paper tips and he has pushed my thinking regarding the possibilities for sketchnotes and other visual mediums for student learning opportunities. Needless to say I was pretty pumped about attending his session and meeting him face to face.

The session went even beyond my expectations though, as I got to explore not only digital sketchnotes with Brad, but also photography with Julia Leong and videography with John Woody.

Each chunk had meaningful examples and wrapped up with hands on activities that got everyone involved with experimentation and creation. I tried to get rid of my internal editor, Brad, but I didn’t get my sketchnotes posted until after the session was over.

Sketchnotes Visual Literacy Bootcamp SXSWEdu

 Exploring at the Visual Literacy BootCamp SXSWEdu

Oh and remember my friends from the table at EdCampATX? A bunch of them were at the front table with me during the Visual Literacy Bootcamp….so we headed down to the hotel lounge area and continued the discussion. Sharing sketchnotebooks, drawing stylus’, iPad screens, ideas, and with my kindred spirit, even some relationship advice. 

Intentional Authenticity

I think if I could sum up what made SXSWEdu this year a valuable experience for me. It was my choice to be intentionally authentic in every opportunity possible. I listened, and learned, and shared–even when it didn’t do anything to progress anything I was working on and even when it didn’t make me necessarily look “successful” or whatever other perceptions of myself I was most convinced needed to be upheld. And in that place, with my guard down, and devoid of pretense, I was free to actively listen, deeply engage in learning, and humbly share.

Amateur definition from Austin Kleon

Three Benefits of Being an Amateur

Amateur definition from Austin Kleon

 

This quote from Austin Kleon’s book, Show Your Work, continues to challenge me. Maybe it is because I strategically placed it on my desk, as if to watch over me, or maybe because it is just so divergent from the side of ourselves we prefer to show the world, but I can’t stop thinking about it. We show the world our finished products, our accolades, the gourmet dinners, and perfected presentations, but not the mess, the tears, the burnt chicken, and crumpled papers. We want to be thought of as anything but amateurs. Even if we are.

amateur_desk

This is especially true in education where the question, “How long have you been teaching (or administrating)?” stems more often from a place of superiority and judgement than genuine curiosity. The wounds of this question (and the associated implications) are still healing from an academic intervention meeting, over five years ago.

Kleon’s definition, however, gives new hope for the amateur. Reflecting on his words, here are three benefits of being an amateur:

1. Amateurs are willing to experiment.  As a result, they often innovate without realizing it.

2. Amateurs haven’t already developed bad habits. As a result, they are coachable.

3. Amateurs bring love and joy to their work.  As a result, they inspire and encourage others.

With a new school year comes a whole round of new experiences and lots of folks who feel like amateurs. You might have a new position this year, be at a new school, in a new state, be a brand new teacher, or at least have a new teacher on your campus. Instead of focusing on all the things amateurs have yet to learn, let’s adopt Kleon’s definition and embrace the amateur. Starting off the year as enthusiasts who approach our work with a spirit of love certainly can’t hurt.

A master in the art of living draws no sharp distinction between his work and his play

Returning to Play

Inspiration Quote

At one of those college fairs in high school I remember my mom talking to a recruiter from an art school. The standard parent might try to dissuade their children from going that route for fear of the starving artist fate. Instead, my mom went on about how I drew an elephant or something and it was the most incredible thing she had ever seen #thanksmom. At the time, the vision I had of my future self was anything but a starving artist. My pursuit of perfection and  “success” blinded me to the possibility that art, play, and creativity could be part of my work. There was even a time I thought I wanted to be a lawyer—enough said.

Cherryblossom painting in acrylicI can’t remember exactly when I started painting and drawing again, but I quickly classified these as weekend activities and put them (quite literally) in a box I would get out and store in rhythm with the weekend workweek flow. It was as if I thought work time had to be hard or taxing to count. Surely this fun and carefree Tracy couldn’t be “working”.

A master in the art of living draws no sharp distinction between his work and his play

“A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which. He simply pursues his vision of excellence through whatever he is doing, and leaves others to determine whether he is working or playing. To himself, he always appears to be doing both.”

– François-René de Chateaubriand

We are guilty of the same misclassification in our schools, cutting out art, music,  and free play for fear students don’t have enough time to “learn”—when that is exactly what they are doing through play. What might our students learn when we give them time to play without specific structure and direction? What might we, as educators, learn and model to our students as we play and experiement ourselves?

Sugata Mitra Sketchnotes

One of my own experiments started recently, when I began to play with sketchnotes, visual note taking, or whatever you want to call it—and bingo! It didn’t take long to figure out this was clearly compatible with the way my mind worked. I had really been doing a rudimentary form of it for a long time. I just didn’t know it had a name, gurus (@Braddo, @AustinKleon, @MikeRohde to name a few), books, and a whole movement of folks who also thought, created, and reflected in this way. Playing with this medium of reflection and making connections has not only had a positive impact on the work I’m doing, but even the spirit with which I approach work.

Amateur Austin Kleon Quote

Austin Kleon, in his stellar book, Show Your Work, defines the amateur as “the enthusiast who pursues her work in the spirit of love.”

When someone is talking about me and my work, I hope that can be said.

I hope to see educators approach teaching and students, learning, with a spirit of love: I believe a big part of that will come when we learn to play again. When we allow ourselves to be amateurs at something again. When we learn to experiment and create and provide time and space for our students to do the same.

So, as we gear up for a new school year… What will you experiment with that will encourage you to play?

Some ideas for play this school year:

  • Test driving new technology

  • Redesigning your learning space

  • Learning some basic coding skills

  • Implementing a new teaching technique

  • Connecting with educators across the globe

  • Updating your centers, activities, or a couple lessons

  • Giving students the freedom to work in new mediums

  • Scheduling “play dates” with a friend to try out new things

  • Drawing, doodling, playing with art or testing out sketchnotes

  • Taking an online course in something you’ve always wanted to learn